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Cross Paths
Cross Paths - Summer 2004
Native Medicine and the Pauwau
Saving a Native Language
Children's Book Art from Native America
A National Museum of the American Indian
National Science Foundation Grant
Cross Paths - Spring 2004
ISUMAVUT
Profiles of Nine Cape Dorset Women
Native Medicine & The Powwow
Digging with Nick
Indian Country and Uncle Sam
From the Collections
Book Review
At The Museum
Cross Paths - Fall 2003
A Contemporary View
A Summer of Buried Treasure
From the Collections: Of Cradleboards & Mysteries
Native Northeast: Iroquois Museum
Book Review
Cross Paths - Summer 2002
From the Collections: Contemporary Native Art
Recent Excavations at Lake of Isles
Native Northeast: Mt Kearsage Indian Museum
Book Review: The Heartsong of Charging Elk
Revitalizing Algonquian Languages
Cross Paths - Winter 2003-4
Meaning in the Reverse: Indian Peace Medals
Bound to Serve
Native Northeast: Abbe Museum
From the Collection: Acquisition Highlights
Video Review
Cross Paths - Spring 2002
Legends from Greenland
Native Northeast
From the Collections
Book Review
In the Exhibits
Cross Paths - Winter 2002-3
Letter from the Executive Director
Native Christianity in Plymouth
Transformation By Degree
What Exactly is Native American Food?
Book Review: Maria Tallchief, Prima Ballerina
Highlights of Acquisitions for 2002
Native Northeast: The George Gustav Heye Center
On Translating the Moravian Records: Part 2
Cross Paths - Summer 2003
The Revolution and New England Indians
Birds of Prey Soar Over Mashantucket
Powwows
From the Collections: A Study of Eastern Woodlands Twined Bags
Native Northeast: Wampanoag Indian Program at Plimoth Plantation
Winding Down Excavations at Lake of Isles
Children's Book Reviews
Cross Paths - Fall 2002
Letter from the Executive Director
John Simon's Engravings of the Four Kings: More Than Meets the Eye
The Art and Material Culture of the Four Indian Kings Paintings
Historical Research at Lake of Isles
Native Northeast: The Institute for American Indian Studies
On Translating the Moravian Records: Part 1
Multimedia Resources in the Children's Library
Cross Paths - Spring 2003
The Sacred Messengers
Feather Law
Native Northeast: Web Sites
Native Northeast: The Mt. Kearsarge Indian Museum


A Museum with a Message
It seems like yesterday, when on a beautiful November morning a huge and handsome Indian Chief named Silver Star, came to our classroom to give a talk,” recalls Charles “Bud” Thompson, owner and co-founder with wife Nancy, of the Mt. Kearsarge Indian Museum, Education and Cultural Center (MKIM). “In a few minutes time, the Chief had the entire class in the palm of his hand, as we were just about hypnotized,” says Thompson.

As a second grader at the Atlantic Avenue School in Pawtuxet, RI, Thompson sat awe-struck as Silver Star instructed the class to form a circle. “He told us how the circle connected us to everything in life: the Creator, the earth, and each other,” recalls Thompson. He told us that the Creator had given each of us a special gift called talent, and that when we discovered that talent we should work to develop it. He told us that in so doing each of us would someday leave this earth a more beautiful, peaceful and loving place. Silver Star also said that each of us were very special people, and that if we did what he asked, he would someday read about us and be very proud. He asked us to make that promise to him. That was 73 years ago.

That promise was kept alive when the Mt. Kearsarge Indian Museum opened its doors in June of 1991, with a formal dedication to Chief Sachem Silver Star. Nestled in the foothills of scenic Warner, New Hampshire, the museum has reached close to a quarter of a million people, bringing to life Silver Star’s sentiments that he so unselfishly shared. Before retiring to open the museum, Thompson had been a folk singer as a young man and on his travels he collected artifacts and learned as much as he could about American Indians. He also observed how industrial pollution and strip-mining were devastating the earth. 

“The museum is far more than a collection of artifacts,” Thompson says. “It is about saving indigenous seeds, about woods and fields that are alive with life, about bio-diversity and alternative foods used by Indian people for centuries. It is about helping children at risk reconnect with the earth – it is all these things that MKIM provides for the public.”

Among the many programs MKIM offers are: the annual powwow, a Harvest Moon Festival, a special celebration preceding the Christmas season, and many lectures and workshops that are held throughout the year. The museum is a place that unites people and as The Concord Monitor newspaper recently reported, it is a “tranquillity zone.”

“We believe it is a small oasis of peace, where the visitor can find a harmonious environment,” says Thompson, who believes that it will be American Indians who will someday step forward and assume leadership to effect the healing of the earth. Thompson, who just turned 80, remains a visible and vibrant part of the museum’s everyday operations. This past fall he saw his saga come full circle, when the tribal elders from the Mashantucket Pequot Nation came to visit. To his glorious surprise, seated amongst the audience were the granddaughter and great-granddaughter of Silver Star. To this day, Thompson says Silver Star was one of the most charismatic and spiritual people he has ever met.

The museum is open every day from May to October, Monday through Saturday 10 to 5 and Sunday from noon to 5. The web site, www.indianmuseum.org, includes an e-mail link to contact the museum.