left










title
Cross Paths
Cross Paths - Summer 2004
Native Medicine and the Pauwau
Saving a Native Language
Children's Book Art from Native America
A National Museum of the American Indian
National Science Foundation Grant
Cross Paths - Spring 2004
ISUMAVUT
Profiles of Nine Cape Dorset Women
Native Medicine & The Powwow
Digging with Nick
Indian Country and Uncle Sam
From the Collections
Book Review
At The Museum
Cross Paths - Fall 2003
A Contemporary View
A Summer of Buried Treasure
From the Collections: Of Cradleboards & Mysteries
Native Northeast: Iroquois Museum
Book Review
Cross Paths - Summer 2002
From the Collections: Contemporary Native Art
Recent Excavations at Lake of Isles
Native Northeast: Mt Kearsage Indian Museum
Book Review: The Heartsong of Charging Elk
Revitalizing Algonquian Languages
Cross Paths - Winter 2003-4
Meaning in the Reverse: Indian Peace Medals
Bound to Serve
Native Northeast: Abbe Museum
From the Collection: Acquisition Highlights
Video Review
Cross Paths - Spring 2002
Legends from Greenland
Native Northeast
From the Collections
Book Review
In the Exhibits
Cross Paths - Winter 2002-3
Letter from the Executive Director
Native Christianity in Plymouth
Transformation By Degree
What Exactly is Native American Food?
Book Review: Maria Tallchief, Prima Ballerina
Highlights of Acquisitions for 2002
Native Northeast: The George Gustav Heye Center
On Translating the Moravian Records: Part 2
Cross Paths - Summer 2003
The Revolution and New England Indians
Birds of Prey Soar Over Mashantucket
Powwows
From the Collections: A Study of Eastern Woodlands Twined Bags
Native Northeast: Wampanoag Indian Program at Plimoth Plantation
Winding Down Excavations at Lake of Isles
Children's Book Reviews
Cross Paths - Fall 2002
Letter from the Executive Director
John Simon's Engravings of the Four Kings: More Than Meets the Eye
The Art and Material Culture of the Four Indian Kings Paintings
Historical Research at Lake of Isles
Native Northeast: The Institute for American Indian Studies
On Translating the Moravian Records: Part 1
Multimedia Resources in the Children's Library
Cross Paths - Spring 2003
The Sacred Messengers
Feather Law
Native Northeast: Web Sites
From the Collections:

A Study of Eastern Woodlands Twined Bags

By Stephen Cook
Mr. Cook is Head Curator of Ethnology at MPMRC.

For the past 18 months the curation and collections departments have been honored to host and assist Dr. Margaret Ordoñez, visiting scholar from the University of Rhode Island. Dr. Ordoñez approached the museum in the fall of 2001 with a research proposal to study Eastern Woodlands twined bags in the museum’s collections. This study focuses on three different types of twined fiber bags that were commonly made in the great lakes region of the Eastern Woodlands; basswood fiber bags, panel bags and yarn bags. All three involved slightly different materials and methods of construction that vary over time and locality. Dr. Ordoñez is investigating the specific plant and animal fibers used to construct the bags, their construction and the design elements woven into them.  This is painstaking work conducted one fiber at a time, usually under the microscope.

Dr. Ordoñez has been a professor at the University of Rhode Island in the Textile, Fashion, Merchandizing and Design Department for fifteen years and is the director of the University’s Textile Conservation Lab and the Historic Textile and Costume Collection. Her work has included the identification of seventeenth century Native American textiles from Connecticut and Rhode Island, the analysis of textile fibers from a seventeenth century privy unearthed

at the “Big Dig” in Boston and service as a member of the Smithsonian’s Textile Advisory Group for the Star Spangled Banner. She is also currently working with the FBI to develop a forensics textile database.

To date her findings have shown a rich complexity of Native weaving arts used in the construction of these bags. This is especially true in the yarn bags, made from commercial wool yarns. She has uncovered as many as twenty different yarns used in a single bag. Many of these appear to have been spun by hand from other sources, possibly unraveled trade blankets.  Dr. Ordoñez has also identified the use of woodland bison or American buffalo wool in some of the panel style bags.


This study is ongoing and Dr. Ordoñez hopes to widen her database by studying bags in other museum collections around the country. Ultimately the hope is that the results of this work will provide some valuable information for museums and native cultural centers to assist them in identifying and dating similar bags in their own collections.
This is the second large scale study conducted on the MPMRC collections. In the spring of 2001, Blair Gagnon, then a masters student at The University of Rhode Island, analyzed the textiles used in the manufacture of a group of Iroquois beaded “whimsies.”  Ms. Gagnon has since gone on to become a doctoral student in the Anthropology Department of the University of Connecticut. A copy of her report is available in the library.