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Cross Paths
Cross Paths - Summer 2004
Native Medicine and the Pauwau
Saving a Native Language
Children's Book Art from Native America
A National Museum of the American Indian
National Science Foundation Grant
Cross Paths - Spring 2004
ISUMAVUT
Profiles of Nine Cape Dorset Women
Native Medicine & The Powwow
Digging with Nick
Indian Country and Uncle Sam
From the Collections
Book Review
At The Museum
Cross Paths - Fall 2003
A Contemporary View
A Summer of Buried Treasure
From the Collections: Of Cradleboards & Mysteries
Native Northeast: Iroquois Museum
Book Review
Cross Paths - Summer 2002
From the Collections: Contemporary Native Art
Recent Excavations at Lake of Isles
Native Northeast: Mt Kearsage Indian Museum
Book Review: The Heartsong of Charging Elk
Revitalizing Algonquian Languages
Cross Paths - Winter 2003-4
Meaning in the Reverse: Indian Peace Medals
Bound to Serve
Native Northeast: Abbe Museum
From the Collection: Acquisition Highlights
Video Review
Cross Paths - Spring 2002
Legends from Greenland
Native Northeast
From the Collections
Book Review
In the Exhibits
Cross Paths - Winter 2002-3
Letter from the Executive Director
Native Christianity in Plymouth
Transformation By Degree
What Exactly is Native American Food?
Book Review: Maria Tallchief, Prima Ballerina
Highlights of Acquisitions for 2002
Native Northeast: The George Gustav Heye Center
On Translating the Moravian Records: Part 2
Cross Paths - Summer 2003
The Revolution and New England Indians
Birds of Prey Soar Over Mashantucket
Powwows
From the Collections: A Study of Eastern Woodlands Twined Bags
Native Northeast: Wampanoag Indian Program at Plimoth Plantation
Winding Down Excavations at Lake of Isles
Children's Book Reviews
Cross Paths - Fall 2002
Letter from the Executive Director
John Simon's Engravings of the Four Kings: More Than Meets the Eye
The Art and Material Culture of the Four Indian Kings Paintings
Historical Research at Lake of Isles
Native Northeast: The Institute for American Indian Studies
On Translating the Moravian Records: Part 1
Multimedia Resources in the Children's Library
Cross Paths - Spring 2003
The Sacred Messengers
Feather Law
Native Northeast: Web Sites
From the Collections: Acquisition Highlights 2003

Over the past year the Museum and Research Center has acquired some excellent works of Native American art, adding to the growing body of work already in the collections. The items listed below are several highlights of these works of art.


A magnificent collection of fourteen mid nineteenth century, southern New England baskets: This collection includes many stamped and painted ash splint baskets from Connecticut, Rhode Island, Massachusetts and Vermont. Several of the baskets were lined with old newspapers, including one that dates to 1847. This is a tremendous addition to the Museum’s important collection of New England baskets, one of the largest in the area.

A complete Chippewa mans beaded regalia:  Made for the World’s Columbian Exposition, Chicago, 1893 where it received a prize, this outfit, consisting of vest, leggings and apron, is in near perfect condition having  been worn only a couple of times.

A late eighteenth or early nineteenth century Great Lakes cradleboard: It is the earliest cradleboard of this style in the collection.

A twined shoulder bag, made by Wampanoag elder Aniti Nielson in the 1990s:  This is an example of a contemporary revival of a centuries old traditional art form in southern New England.

A mid nineteenth century Lenape ( Delaware) style beaded needle case:  This rare item is done in the unique and vibrant Prairie style and was used to hold a woman’s pins and sewing needles.

Two rare Winebago style mens’ dance shirts, circa 1880-1920: These are wonderful examples of Eastern Woodland regalia of the period, illustrating the continuation of bead and ribbon work techniques.

A late nineteenth century Cree beaded belt and matching knife sheath: Fully beaded in a realistic floral style, these are an unusual set.

A contemporary porcupine quilled birch bark box made by Ojibwa artist Steven Pangowish: This elaborate and detailed box is a masterpiece of porcupine quillwork on birch bark. Each quill was carefully selected for color and size before being inserted into the bark to create the naturalistic portrait of a deer.